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Search Results for "Sam Wanamaker"

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Your search for posts with tags containing Sam Wanamaker found 39 posts

Macbeth: A Conjuring (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Macbeth: A Conjuring is a welcome anomaly in the era of streamed and socially distanced theatre. For Bonfire Night 2020, as part of its ‘Shakespeare and Fear’ festival, the Globe reunited the cast of its 2018 Macbeth (reviewed on...
From: The Bardathon on 9 Nov 2020

Women Beware Women (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

For a play of dark corners, shadowy deeds and masque-like spectacle, the Sam Wanamaker is surely the perfect playhouse. In Amy Hodge’s debut production for the Globe, and in collaboration with designer Joanna Scotcher, the SWP was darkened further...
From: The Bardathon on 29 Feb 2020

Richard III (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

It may now have been a new play, with a new king (Sarah Amankwah’s Edward IV) and his courtiers standing for a family portrait, but the stage of Richard III bore all the scars of the Wars of the Roses. Edward and his wife Elizabeth (Nina Bowers)...
From: The Bardathon on 5 Dec 2019

Henry VI (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

NB: This review is based on a preview performance. Henry VI, the fifth entry in the Globe’s 2019 Histories Cycle, was a production of compromises, if not a compromised production. Reuniting the ensemble that performed 1 Henry IV, 2 Henry IV and...
From: The Bardathon on 16 Nov 2019

Bartholomew Fair (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Please note – this review is of a preview performance. The sprawling Bartholomew Fair is an enormous play, a cast of seemingly thousands jostling shoulders in one of London’s most notorious fairs. Hosting it in the relatively bijou Sam Wanamaker...
From: The Bardathon on 26 Aug 2019

Sam Wanamaker’s centenary

Sam Wanamaker 14 June 2019 is the centenary of the birth of an unlikely hero of the British theatre, Sam Wanamaker. Most closely associated with Shakespeare’s Globe, which was built largely because of the force of his personality, Wanamaker was...
From: The Shakespeare blog on 14 Jun 2019

Richard II (Shakespeare’s Globe) @ The Sam Wanamaker Theatre

What is England? Seeing Richard II the day after yet another missed deadline for the UK’s departure from the EU, in a climate of mass uncertainty about the nature of sovereignty and the future of the country, unavoidably presented difficult questions...
From: The Bardathon on 15 Apr 2019

After Edward (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Rarely have response plays so explicitly picked up where their prompt play left off. Beginning in blackout, an arm with a lantern reached down from the ceiling of the Sam Wanamaker Playhouse, momentarily illuminating the auditorium. Then, in the renewed...
From: The Bardathon on 31 Mar 2019

Edward II (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Nick Bagnall’s new production of Edward II, reimagined for a candlelit indoor playhouse, collapsed its imagined spaces from the very opening. Gathering around the corpse of Edward I, the company (led by Richard Bremmer’s Archbishop of Canterbury)...
From: The Bardathon on 2 Mar 2019

Doctor Faustus (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Paulette Randall’s first production for the Globe – and, according to her bio, her first production of an early modern play – made an important statement, taking a play that focuses on the archetypal white male overreacher and casting...
From: The Bardathon on 16 Dec 2018

Macbeth (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Macbeth – which of course, may well have been adapted for the King’s Men after the company’s acquisition of the Blackfriars – seems ideally suited to the chiaroscuro potential of the Sam Wanamaker Playhouse. More so than any production...
From: The Bardathon on 16 Dec 2018

All’s Well that Ends Well (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

In the end, I only saw two productions at the Globe while it was under Emma Rice’s leadership. This wasn’t by design – I loved Rice’s work with Kneehigh and, irrespective of the ongoing complaints about her treatment of the space,...
From: The Bardathon on 28 Jan 2018

The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare’s Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast...
From: Before Shakespeare on 14 Dec 2017

Shakespeare: Print and Performance

The 1599 Second Quarto of Romeo and Juliet For many years, even centuries, there was a huge divide between Shakespeare’s plays as they were performed and how they appeared in print. Scholars wrestled with the numerous different editions of the...
From: The Shakespeare blog on 16 Oct 2017

The Duchesses of Malfi

This week, the RSC announced its new season of productions. Excitingly, the company will produce The Duchess of Malfi; even more excitingly, it will be directed by Maria Aberg, who directed an excellent production of Doctor Faustus in 2016. Another Duchess...
From: asidenotes on 15 Sep 2017

Ira Aldridge, theatre manager: the Coventry connection

On 3 August 2017 a blue plaque is to be unveiled in Coventry commemorating Britain’s first non-white theatre manager, Ira Aldridge, exactly 150 years after his death. I’ve written blog posts before celebrating Aldridge’s work as an actor...
From: The Shakespeare blog on 2 Aug 2017

Mucedorus (Read not Dead) @ The Sam Wanamaker Playhouse, Shakespeare’s Globe

Read Not Dead is currently in the grip of the Before Shakespeare project, offering a series of readings curated to show off some of the finest, genre-bending plays of the late sixteenth century. Mucedorus followed The Rare Triumphs of Love and Fortune...
From: The Bardathon on 17 Jul 2017

Doctor Faustus (Passion in Practice) @ The Sam Wanamaker Playhouse

I was privileged this week to spend several days in rehearsals with Passion in Practice on their new staged reading of Doctor Faustus. Practice and Passion is a long-term rolling ensemble project devoted to the exploration of original pronunciation and,...
From: The Bardathon on 23 May 2016

Cymbeline (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Will Tosh’s essay in the programme for Cymbeline considers how that play – and others of this era of the King’s Men – were written to exploit the available technologies of the recently acquired Blackfriars Playhouse. It seems fitting,...
From: The Bardathon on 16 Apr 2016

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